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DTSTART;TZID=Europe/London:20241007T193000
DTEND;TZID=Europe/London:20241007T203000
DTSTAMP:20240928T112120Z
CREATED:20240925T001758Z
LAST-MODIFIED:20240928T112120Z
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SUMMARY:Shivaun O'Casey - 7 Oct
DESCRIPTION:In the year of the centenary of the inaugural production of Juno and the Paycock we welcome Shivaun O’Casey\, daughter of playwright Sean O’Casey and actress Eileen Carey\, to speak at the Society to give insight into growing up in the O’Casey household\, her father’s work and her own work as a theatre director:”My parents never encouraged me to go into theatre\, because they knew it was spasmodic work and involved a lot of heartbreak.”\n\nShivaun was born in 1939\, by which time O’Casey had become fed up with his treatment by the Irish literary establishment and moved to south-west England. As co-executor with her brother Breon of the O’Casey literary estate\, she was responsible for turning over the huge O’Casey archive to the National Library and continues to manage the Sean O’Casey Estate. Coinciding with a major revival of the work in London the conversation with O’Casey expert Dr Michelle Paull will touch on the production history of Juno and the Paycock\, the writing of the play\, the reaction to the O’Casey’s work and the effect of that on Sean and his relationship to Ireland. The actress Esther O’Casey\, granddaughter to Sean\, will contribute readings from the work. \n\n\n  Speakers:  Shivaun O'Casey\n\n\n\n  Shivaun O’Casey\nShivaun O’Casey began directing and producing in New York City in 1987 with Samuel Beckett’s Happy Days\, followed by Baglady (Frank McGuinness)\, and Purple Dust (Sean O’Casey). In 1991\, she formed The O’Casey Theater Company\, based both in Northern Ireland and New York\,  The company produced three international tours: The Shadow of a Gunman\, Three Shouts from a Hill\, The Plough and the Stars – and finally\, for performance in Derry only\, Behind the Green Curtains. She manages the Sean O’Casey Estate and directed and narrated the documentary on her father Under a Coloured Cap (2004) that profiles her father’s life of hardship and triumph\, idealism and disenchantment.  \n\nDr Michelle Paull\n\n\n\n  Dr Michelle Paull\nDr Michelle Paull of (St Mary’s University\, Twickenham) is a Senior Lecturer in Drama and is a Senior Fellow of the Higher Education Academy. Michelle’s PhD at Goldsmiths’ College\, University of London focused on the theatre of Sean O’Casey and she is currently working on her monograph\, Sean O’Casey: Critical Controversies. Michelle’s research and teaching interests include contemporary theatre\, London theatre\, Irish plays\, Sean O’Casey\, adaptations on stage and screen and contemporary writing in English.. \n\n\n\n\n\nEsther O'Casey\n\n\n\n  Esther O’Casey\nA recent graduate of GUILDHALL SCHOOL OF MUSIC & DRAMA\, BA (Hons) Acting. See: Guildhall. \n\n\n\n 
URL:https://irishliterarysociety.org/event/shivaun-ocasey-7-oct/
LOCATION:The Bloomsbury Hotel\, The Bloomsbury Hotel\, 16-22 Great Russell Street\, London\, WC1B 3NN \, United Kingdom
CATEGORIES:archive,children,emigration,Nationalism,theatre
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221121T193000
DTEND;TZID=Europe/London:20221121T210000
DTSTAMP:20240925T015256Z
CREATED:20221024T223654Z
LAST-MODIFIED:20240925T015256Z
UID:19474-1669059000-1669064400@irishliterarysociety.org
SUMMARY:David Ireland - 21 November 2022
DESCRIPTION:The award-winning playwright\, David Ireland\, known for his wickedly dark humour and biting satire\, will be joining Dr Michelle Paull for a discussion on his work. The evening will also feature a live performance from the cast of Not Now\, Ireland’s play running in November at The Finborough Theatre.   \n\n“Cyprus Avenue was commissioned by the Abbey Theatre Dublin. I was aware I was being commissioned as an Irish writer – but I’ve always felt British. I’ve always identified as British. And yet\, I’m undeniably influenced by so much of the Irish canon – especially O’Casey\, Wilde\, Beckett and Joyce. In some ways\, I was trying to write a traditionally Irish play from an Ulster loyalist perspective. To try to encapsulate all the rage and frustration\, fear and defiance of the Planter experience in Ireland- but with the epic sweep of O’Casey and the existentialist absurdism of Beckett. I didn’t quite get to that level of genius but I did ok with my limited talent.” \n\n  Speakers and performers:  David Ireland \n\n\n\n David Ireland David Ireland is from Belfast and trained as an actor at the Royal Scottish Academy of Music and Drama. His first play\, WHAT THE ANIMALS SAY\, was produced at Oran Mor\, Glasgow in 2009. His other plays include EVERYTHING BETWEEN US (Tinderbox\, Belfast) which won the Stewart Parker Award and the Meyer-Whitworth Award\, THE END OF HOPE (Oran Mor)\, HALF A GLASS OF WATER (Field Day)\, YES SO I SAID YES (Ransom Productions\, Belfast)\, CAN’T FORGET ABOUT YOU (Lyric\, Belfast) and I PROMISE YOU SEX AND VIOLENCE (Northern Stage\, Newcastle). In 2015\, he adapted Lorca’s BLOOD WEDDING for Dundee Rep and Graeae. He has also written extensively for television and radio.. His 2016 play CYPRUS AVENUE (Royal Court London/Abbey Theatre Dublin/Public Theatre NYC) won the Irish Times Award for Best New Play and the James Tait Black Award for Drama and in 2018 ULSTER AMERICAN (Traverse\, Edinburgh) won a Scotsman Fringe First\, the Carol Tambor Best of Edinburgh award and the Critics Award for Theatre in Scotland Award for Best New Play.  Dr Michelle Paull \n\n\n\n Dr Michelle Paull Dr Michelle Paull is a Senior Lecturer in Drama and is a Senior Fellow of the Higher Education Academy. Michelle’s PhD at Goldsmiths’ College\, University of London focused on the theatre of Sean O’Casey and she is currently working on her monograph\, Sean O’Casey: Critical Controversies. Michelle’s research and teaching interests include contemporary theatre\, London theatre\, Irish plays\, Sean O’Casey\, adaptations on stage and screen and contemporary writing in English.    \n  \n \n 
URL:https://irishliterarysociety.org/event/david-ireland-21-november-2022/
LOCATION:The Bloomsbury Hotel\, The Bloomsbury Hotel\, 16-22 Great Russell Street\, London\, WC1B 3NN \, United Kingdom
CATEGORIES:Belfast,Border,emigration,theatre,tradition
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20201208T190000
DTEND;TZID=Europe/London:20201208T200000
DTSTAMP:20210312T135835Z
CREATED:20201202T115341Z
LAST-MODIFIED:20210312T135835Z
UID:18047-1607454000-1607457600@irishliterarysociety.org
SUMMARY:7th Annual Yeats Lecture - 8 December 2020
DESCRIPTION:The Irish Literary Society is delighted to announce that the speaker for this year’s Annual Yeats Lecture will be Garry Hynes\, Director of Druid. Following an introduction by the President of the Irish Literary Society\, Bernard O’Donoghue\, Hynes will give a short presentation and then join in conversation on the recent DruidGregory season with the novelist and Druid board member\, Colm Tóibín. \n\nThroughout September and October Druid defied the pandemic to mount a return to live theatre in the magic fields\, woods and gardens of Coole Park in a tribute to\, and an animation of\, the life and works of Galway’s Augusta Lady Gregory. Launched in the historic setting of her Coole Park home\, DruidGregory included five of Lady Gregory’s one-act plays\, performed by a company of 12 actors and musicians\, and directed by Garry Hynes. \n\nSpeaker: Garry Hynes\n\n\n \nGarry Hynes co-founded Druid in 1975 and has worked as its Artistic Director from 1975 to 1991 and from 1995 to date. From 1991 to 1994 she was Artistic Director of the Abbey Theatre\, Dublin. Garry has also worked with the Gate Theatre (Ireland); the Royal Shakespeare Company and the Royal Court (UK)\, Center Theatre Group\, Second Stage\, Signature Theater\, Manhattan Theater Club\, the Kennedy Center\, the Mark Taper Forum and the Spoleto Festival (USA). Follow Garry on twitter: @DruidTheatre \n  \n\n  \nSpeaker: Colm Tóibín\n\n\n \nColm Tóibín’s novels include ‘Brooklyn’ (2009) and ‘Nora Webster’ (2015) and two collections of stories. He has been three times shortlisted for the Booker Prize for ‘The Blackwater Lightship’ (1999)\, ‘The Master’ (2005). His play ‘The Testament of Mary’ (2012)\, was nominated for a Tony Award for Best Play in 2013. His ninth novel ‘House of Names’ appeared in 2017. His other work includes collections of short stories\, poetry\, many works of non-fiction and editorial works. His writing has been translated into more than thirty languages.  He is a member of the board of Druid. \n  \n\n\nSpeaker: Bernard O’Donoghue\n\n\n \nBernard O’Donoghue is a Professor and Emeritus Fellow in English at Wadham College\, Oxford. He is a poet and literary critic\, and author of Seamus Heaney and the Language of Poetry (1995) – he succeeded Heaney as President of the ILS. His most recent poetry collection is The Seasons of Cullen Church (2016). Previous volumes include Farmer’s Cross (2011)\, Gunpowder (1995)\, Here Nor There (1999); Outliving (2003); his Selected Poems came out in 2008. O’Donoghue was winner of the 1995 Whitbread Poetry Award and Cholmondeley Award in 2009. 
URL:https://irishliterarysociety.org/event/7th-annual-yeats-lecture-8-december-2020/
CATEGORIES:Collaboration,feminism,history,theatre,tradition,women
LOCATION:https://www.crowdcast.io/e/72rr9q1k/register
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181029T193000
DTEND;TZID=UTC:20181029T210000
DTSTAMP:20181112T135217Z
CREATED:20180911T070122Z
LAST-MODIFIED:20181112T135217Z
UID:10758-1540841400-1540846800@irishliterarysociety.org
SUMMARY:Troubling the Classics - 29 Oct
DESCRIPTION:For our October event we’re bringing together a poet\, a novelist and a dramatist to reflect on their work and its place in a rich seam of Irish literature inspired by the Greeks. The continuing interest of Irish writers in Greek and Latin classical literature as a model and source for inspiration is somewhat surprising given the almost complete disappearance of the teaching of classical languages in Irish schools over the last 50 years. Yet the myths and stories of the ancient world still fascinate audiences and our writers continue to deliver fresh interpretations which reflect on Irish society.  \n‘The violence lies in Carr’s language\, shocking and extraordinarily vivid: we almost hear the buzzing of carrion flies\, smell the stench of carnage.’The Times\nThe nationalist attempt to recover the native\, suppressed\, literary tradition of Ireland found a model in 5th century BCE Athenians and their reaching back to the foundational epics of Homer. From the 19th century Irish translations of Greek tragedy were tied up in a project of recovery of a bardic tradition; from Yeats to Heaney this poetic tradition continued and absorbed great figures of modern poetry like MacNeice\, Boland\, Mahon and Kennelly. More recently that tradition has broadened and our dramatists and novelists have found intriguing correspondences in form and culture with the Greeks e.g. Alan McMonagle’s novel Ithaca\, Theo Dorgan’s collections Orpheus and Greek\, Peter Fallon’s versions of Hesiod and of the Georgics of Virgil\, and Frank McGuinness’ startling new versions of Greek drama. Our three guests representing the dramatic\, poetic and prose novel forms will discuss their work and the appeal and relevance of ancient literature. ‘Part of the thrill is recognising the correspondences between the characters and Homer’s originals . . . the language is enough to keep you enthralled . . . Hughes’s achievement is to prove that Homer remains ignoble\, messy and horribly familiar — Guardian’The Guardian Marina Carr’s plays bring alive the Greek classics in a uniquely contemporary and Irish manner. In By the Bog of Cats she reconstructs Medea\, in her Hecuba she positions the Queen at the centre of a drama clearly intended as a corrective to Euripides\, who portrays Hecuba as an enraged avenger. Michael Hughes’s widely praised second novel Country transposes the Illiad to border country\, Northern Ireland\, post-ceasefire\, 1996. After a woman turns informer\, an IRA gang takes matters into its own hands and storms the local British army base. But there is a falling out between Pig\, the gang’s leader\, and the sniper\, Achill. Death and betrayal follow. The poet Peter McDonald’s has lately developed an interest in verse translation from Greek and in 2016 produced The Homeric Hymns (2016)\, a series of verse translations into different English forms\, along with detailed notes on the ancient Greek poems themselves. Speakers:  Marina CarrOne of Ireland’s most celebrated playwrights whose poetic tragedies often reinterpret ancient myth and address violence and the place of women in Irish life. Across her great Midlands-set plays Carr creates a timeless version of Ireland\, replete with ghosts\, ill-fated women and tragic families. Throughout her work Carr’s engagement with myth and folktale can be read as a richly imaginative reflection on the development of Irish cultural identity. In 2017 Carr was awarded the Windham-Campbell Prize. She is a lecturer in Dublin City University’s School of English. She is working on new plays for the Abbey and the Kiln Theatre in London\, the latter about Clytemnestra in the aftermath of the Trojan war will appear in 2019-2020 season.  Dr Florence Impens (Chair)Dr Impens holds a PhD in English from Trinity College\, Dublin\, as well as MAs in French and in Irish Studies from Université Sorbonne Nouvelle-Paris 3. Her book Classical Presences in Irish Poetry after 1960: The Answering Voice provides the first overview of classical presences in Anglophone Irish poetry after 1960. Focusing on classical presences in the work of Seamus Heaney\, Michael Longley\, Derek Mahon\, and Eavan Boland. She is the author notably of ‘Classics and Irish Poetry after 1960’ in the forthcoming 5th volume of the Oxford History of Classical Reception in English Literature (Kenneth Haynes Ed.)\, and of ‘Classical Roots’ in Seamus Heaney in Context (Geraldine Higgins Ed.)\, due out with Cambridge University Press.  Michael HughesMichael Hughes grew up in Keady\, Co. Armagh\, and now lives in London. He attended St Patrick’s Grammar School in Armagh and read English at Corpus Christi College\, Oxford before training in theatre at the Jacques Lecoq School in Paris. He has worked for many years as an actor under the professional name Michael Colgan\, and he also teaches creative writing. His first novel\, The Countenance Divine\, was published by John Murray in 2016. His widely praised novel Country is published by Hodder & Stoughton and available now.  Professor Peter McDonaldProfessor Peter McDonald (born 1962 in Belfast) is a poet\, Professor of English and Related Literature\, he holds the post of Christopher Tower Student and Tutor in Poetry in the English Language at Christ Church\, Oxford and is a Fellow of St Hugh’s College. He produced the modern edition of the Collected Poems of Louis MacNeice (2007). The focus of his research now is the editing of W.B. Yeats’s Complete Poems for the Longman Annotated Poets series. He has published six original volumes of poetry since 1989\, most recently Herne the Hunter (2016)\, and his Collected Poems were published in 2012. A signing of Michael Hughes’ Country and Peter McDonald’s The Homeric Hymns will follow the event.
URL:https://irishliterarysociety.org/event/troubling-the-classics/
LOCATION:The Bloomsbury Hotel\, 16-22 Great Russell St\, London\, WC1B 3NN\, United Kingdom
CATEGORIES:Classics,Greek,history,Latin,novel,poetry,Reading,research,theatre,tradition,translation
ATTACH;FMTTYPE=image/jpeg:https://irishliterarysociety.org/wp-content/uploads/2018/09/troubling-classics_slider.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180430T193000
DTEND;TZID=UTC:20180430T203000
DTSTAMP:20180422T224539Z
CREATED:20180116T231722Z
LAST-MODIFIED:20180422T224539Z
UID:10083-1525116600-1525120200@irishliterarysociety.org
SUMMARY:Micheál Ó Conghaile - 30 April
DESCRIPTION:The ILS is delighted to announce that the ILS / ITS Noel O’Connell Annual Memorial Lecture will be given by Micheál Ó Conghaile on his Irish language translations of the London-Irish playwright Martin McDonagh and the Irish language literary scene today. Ag aistriú Martin Mc Donagh ansin dfheadainn labhairt faoi scribhneoireacht agus foilsitheoireacht na Gaeilge inniu agus ceisteanna a fhreagairt. Ó Conghaile’s translations of McDonagh’s work – The Beauty Queen of Leenane (Banríon Álainn an Líonáin)\, The Cripple of Inishmaan (Cripil Inis Meáin)\, and The Lonesome West (Ualach an Uaignis) – have received acclaimed productions by the Galway International Arts Festival.  \nPlease note that the venue for this event is the Irish Cultural Centre\, Hammersmith. For the ILS April and May events while our usual home the Bloomsbury Hotel is being refurbished we will be at the ICC Hammersmith. \nÓ Conghaile was born and is based in Connemara\, Galway\, he is a member of Aosdána and established the publishing house\, Cló Iar-Chonnacht in 1985. This event is organised in conjunction with the Irish Texts Society. You can read his short story The Colours of a Man here. The talk will be delivered in English with readings in Irish and English by the actor Aonghus Weber. \nPresented in association with the Irish Texts Society:\n\n\n\nSpeaker:\n\nMicheál Ó Conghaile\nMicheál Ó Conghaile was born in Inis Treabhair\, Galway\, in 1962. He established the publishing company Cló Iar-Chonnachta (CIC) in 1985 and has since published over 300 books and 200 traditional Irish music albums and spoken word albums to date. \nHis short stories are collected as Mac an tSagairt (Gallimh\, Cló Iar-Chonnachta\,1986); An Fear a Phléasc (Cló Iar-Chonnachta\, 1997)\, An Fear nach nDéanann Gáire (Cló Iar-Chonnachta\, 2003); and The Colours of Man (Cló Iar-Chonnachta\, 2012). His novels include Sna Fir (Cló Iar-Chonnachta\, 1999)\, which was shortlisted for The Irish Times Literature Awards 2001; and the novella Seachrán Jeaic Sheáin Johnny (Cló Iar-Chonnachta\, 2002). His poetry is collected as Comhrá Cailí (1987). His plays include Cúigear Chonamara (Gallimh\, An Taibhdhearc\, 2003)\, translated by Una Ní Chonchuir as The Connemara Five (Galway\, Arlen House\, 2007); and Jude\, one of the winners of Gradam Cuimhneacháin Bháitéir Uí Mhaicín\, and published as Jude (Cló Iar-Chonnachta\, 2007). He has translated Martin McDonagh’s plays The Beauty Queen of Leenane as Banríon Álainn an Líonáin; and The Lonesome West as Ualach an Uaignis (Cló Iar-Chonnachta\, 2002). He translated the Irish-language film Kings (directed by Tom Collins. 2007)\, based on the English-language play The Kings of the Kilburn High Road\, by Jimmy Murphy. His works have been translated into various languages\, including Romanian\, Croatian\, Albanian\, German and English. A member of Aosdána\, he lives in Indreabhán\, County Galway. \n\nAonghus Weber\nAonghus was born and has lived most of his life in Ireland. He moved to London after training at The Bristol Old Vic Theatre School. In Ireland Aonghus worked extensively in TV and film: a founding cast member of TG4’s long running soap opera Ros na Rún and a cast member of RTE’s television drama series Glenroe. \nSpread the word:
URL:https://irishliterarysociety.org/event/micheal-o-conghaile-30-april/
LOCATION:Irish Cultural Centre\, Hammersmith\, 5 Black’s Road Hammersmith\, W6 9DT\, United Kingdom
CATEGORIES:history,Irish language,lecture,Reading,theatre,tradition
ATTACH;FMTTYPE=image/jpeg:https://irishliterarysociety.org/wp-content/uploads/2018/01/Micheál-Ó-Conghaile-4.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180116T140000
DTEND;TZID=UTC:20180116T170000
DTSTAMP:20171212T214305Z
CREATED:20171212T211710Z
LAST-MODIFIED:20171212T214305Z
UID:9929-1516111200-1516122000@irishliterarysociety.org
SUMMARY:National Theatre Archive screening -16 Jan
DESCRIPTION:The ILS has arranged for a group visit on 16 January to the National Theatre Archive for a screening of the recording of the NT production of Conor McPherson’s The Veil from 2011. The screening room at the Archive has only limited capacity so we must limit this event to members-only\, there are 25 places. If there is sufficient demand we will arrange a further screening. Please contact the Honorary Secretary if you wish to reserve a place: irishlitsoc@gmail.com.  \nMay 1822\, rural Ireland. The defrocked Reverend Berkeley arrives at the crumbling former glory of Mount Prospect House to accompany seventeen-year-old Hannah to England. She is to be married off to a Marquis in order to resolve the debts of her mother’s estate. However\, compelled by the strange voices that haunt his beautiful young charge and a fascination with the psychic current that pervades the house\, Berkeley proposes a séance\, the consequences of which are catastrophic. \nThe Veil weaves Ireland’s troubled colonial history into a transfixing story about the search for love\, the transcendental and the circularity of time. The play is directed by McPherson. The cast includes Jim Norton\, who won both Tony and Olivier awards for his performance in McPherson’s The Seafarer. This is a three-camera recording made for research purposes\, it does not therefore offer the cinematic experience of an NT Live broadcast.
URL:https://irishliterarysociety.org/event/national-theatre-archive-visit-16-jan/
LOCATION:National Theatre Studio\, 83-101 The Cut\, Lambeth\, London\, SE1 8LL\, United Kingdom
CATEGORIES:archive,Members only-event,research,theatre
ATTACH;FMTTYPE=image/jpeg:https://irishliterarysociety.org/wp-content/uploads/2017/12/the-veil-screening.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20170921T190000
DTEND;TZID=UTC:20170921T220000
DTSTAMP:20170906T145739Z
CREATED:20170904T174323Z
LAST-MODIFIED:20170906T145739Z
UID:9502-1506020400-1506031200@irishliterarysociety.org
SUMMARY:The Ferryman - ILS member tickets lottery
DESCRIPTION:The ILS has 20 tickets for excellent seats for the acclaimed Royal Court production of Jez Butterworth’s The Ferryman for a performance on the evening of 21 September to issue free to members. To apply for a ticket you must be a fully paid-up member\, you should complete the form below. The lottery will close on 8 September and the ILS Honorary Secretary will contact those successful on 9 September. Please note that the performance starts at 7pm\, 21 September\, the performance runs for 3 hours including a 15 minute interval. \nThe Ferryman: Northern Ireland\, 1981. The Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor. \n“You can’t bury the past.” \nJez Butterworth‘s previous work at the Royal Court includes The River and the multi-award winning Jerusalem. Director Sam Mendes makes his Royal Court debut. \n\n\n  \n\n\n\nYour Name (required)\n \n\n \nYour Email (required)\n \n\n \nSubject\n \n\n \nYour Message\n \n\n \n\n Δ
URL:https://irishliterarysociety.org/event/the-ferryman-member-ticket-lottery/
LOCATION:Gielgud Theatre\, Shaftesbury Ave\, Soho\, London\, W1D 6AR\, United Kingdom
CATEGORIES:Members only-event,non-ILS,theatre
ATTACH;FMTTYPE=image/jpeg:https://irishliterarysociety.org/wp-content/uploads/2017/09/TFMprod2017JP_05030-1024x683.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170917T193000
DTEND;TZID=UTC:20170927T203000
DTSTAMP:20170904T185225Z
CREATED:20170904T184608Z
LAST-MODIFIED:20170904T185225Z
UID:9512-1505676600-1506544200@irishliterarysociety.org
SUMMARY:Constance and Eva\, 17-27 Sept
DESCRIPTION:ILS members will remember Dr Kimberly Campanello from her fascinating talk at the ILS last year on Sheela na gigs and the Bon Secours Mother and Baby Home in Tuam\, County Galway. Campanello has a new play on those radical sisters Constance Markievicz and Eva Gore-Booth. The play runs from 17-27 September at the Bread and Roses Theatre in Clapham. While we’re not arranging a formal ILS outing this time many members will be attending the final night of the run – 27 September\, you can find out more and book here. \nConstance Markievicz and Eva Gore-Booth battled imperialism\, fought for women’s rights\, and sought to redefine gender and sexuality. They were famous – even infamous – during their lifetimes\, but history has largely forgotten them.  \nCan their stories be told\, and what can we learn from them about how to be politically active today? \nConstance and Eva is a multimedia reimagining of the lives of these two sisters\, bringing together archive footage\, found text and performance to tell their story. It is a first time collaboration between the poet Kimberly Campanello (Strange Country\, Hymn to Kali) and director Luke Davies\, and is Urania’s first production.
URL:https://irishliterarysociety.org/event/constance-and-eva/
LOCATION:The Bread and Roses Theatre\, 68 Clapham Manor Street\, Clapham\, London\, SW4 6DZ\, United Kingdom
CATEGORIES:non-ILS,theatre
ATTACH;FMTTYPE=image/png:https://irishliterarysociety.org/wp-content/uploads/2017/09/ce-cut_3.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20140327T073000
DTEND;TZID=UTC:20140327T210000
DTSTAMP:20171123T235220Z
CREATED:20161013T201247Z
LAST-MODIFIED:20171123T235220Z
UID:8408-1395905400-1395954000@irishliterarysociety.org
SUMMARY:Lisa Dwan - 27 March
DESCRIPTION:Lisa Dwan visits the ILS to discuss her intense engagement with Samuel Beckett’s work. She recently completed a marathon tour of a triple bill of late Samuel Beckett works. In Not I she played a disembodied mouth delivering a stream of consciousness at speed\, capturing the despair of an outcast caught in a speechless existence while floating above the stage in a near pitch-black void. In Footfalls we saw her pacing back and forth like a metronome outside her dying mother’s room\, trapped in a moment of time\, tormented by some ‘shudder of her mind’. And in Rockaby she was dressed in an evening gown\, a prematurely aged woman sits in a chair that appears to rock of its own accord. Recounting moments from her past\, she slowly withdraws from the world. Dwan will be in conversation with Shevaun Wilder\, the event will be accompanied by a short screening. \nSpeakers:\n\nLisa Dwan\nLisa Dwan has worked extensively in theatre\, film and television both internationally and in her native Ireland. Film credits include Oliver Twist\, John Boorman’s Tailor of Panama and Bhopal – A Prayer for Rain due for release this year. In 2012\, she adapted\, produced and performed the critically acclaimed one-woman play Beside the Sea at Southbank Centre and on tour and starred in Goran Bregovic’s new music drama\, Margot\, Diary Of An Unhappy Queen at the Barbican. She most recently performed in Ramin Gray’s production of Illusions by Ivan Viripaev at the Bush Theatre.
URL:https://irishliterarysociety.org/event/lisa-dwan-27-march/
LOCATION:The Bloomsbury Hotel\, The Bloomsbury Hotel\, 16-22 Great Russell Street\, London\, WC1B 3NN \, United Kingdom
CATEGORIES:film,interview,theatre
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DTSTART;TZID=UTC:20131128T073000
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DTSTAMP:20171123T235328Z
CREATED:20161015T185805Z
LAST-MODIFIED:20171123T235328Z
UID:8502-1385623800-1385672400@irishliterarysociety.org
SUMMARY:The Abbey\, where next? - 28 Nov
DESCRIPTION:To turn O’Connell Street into the Broadway of Ireland; The Debate over the Relocation of the Abbey Theatre. \nThe Irish Literary Society is delighted to present its 2nd Joint Lecture with the Centre for Irish Studies (CIS)\, St Mary’s University College. \nFrom its foundation in 1904 The Abbey\, Ireland’s national theatre\, has been located at Lower Abbey Street in Dublin. However from 2001 to 2012 an often heated debate about its relocation took place in the two houses of the Irish Parliament (Dáil Éireann and Seanad Éireann) and the Irish national press. This lecture will examine the debate within the context of the idea of national theatres as public monuments\, as agents in urban regeneration\, and consider the modern Abbey’s role as a key element in Dublin’s competition for international cultural tourism. \nPresented in association with the Centre for Irish Studies\, St Mary’s University\, Twickenham:\n\n\n\nSpeaker:\n\nShaun Richards\nShaun Richards is Professorial Research Fellow\, CIS St Mary’s\, the author of Writing Ireland (1988 with David Cairns)\, Mapping of Irish Theatre (2013\, with Chris Morash)\, the editor of The Cambridge Companion to Irish Drama (2006) and scores of articles on Irish theatre published in Etudes Irlandais\, Irish Studies Review and Irish University Review amongst others. He has been a visiting professor at the University of Sao Paulo and a consultant with the Cia Ludens theatre company that specialises in adapting Friel\, Murphy and other Irish plays to the Brazilian stage in translation.
URL:https://irishliterarysociety.org/event/the-abbey-where-next-28-nov/
LOCATION:The Doubletree by Hilton\, 2 Bridge Place\, Victoria\, London\, SWIV 1QA\, United Kingdom
CATEGORIES:architecture,Collaboration,history,lecture,theatre
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