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X-WR-CALDESC:Events for Irish Literary Society
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DTSTART;TZID=UTC:20220909T193000
DTEND;TZID=UTC:20220909T210000
DTSTAMP:20260501T015004
CREATED:20190413T191332Z
LAST-MODIFIED:20220909T220842Z
UID:11596-1662751800-1662757200@irishliterarysociety.org
SUMMARY:Essaying the Body\, Sinéad Gleeson and Emilie Pine - 5 June
DESCRIPTION:Sinéad Gleeson and Emilie Pine join the ILS to discuss their recent books of essays. Pine’s winning last year’s An Post Irish Book of the Year seemed to mark a reemergence of the essay form in Irish literature. Perhaps the flourishing of literary journals in Ireland has encouraged this\, perhaps the renewed appreciation of Hubert Butler’s work has been an influence\, certainly his cosmopolitan sensibility is present in the recent creative non-fiction of Brian Dillon\, Kevin Breathnach\, Ian Maleney…  I’ve never read anything quite like these essays. Pine’s fluent intelligence flows through each question\, each dilemma\, in its own inimitable way. It’s the kind of book you want to give to everyone\, especially young women and men\, so that we can learn together to take ourselves and each other more seriously.Martina Evans in the Irish Times on Notes to Self\n  \nThe personal essays of Pine and Gleeson share the ambition of those authors\, yet move inward reflecting on their own bodily traumas and the politics of the female body in Ireland in the last 50 years. In its variously raw\, funny\, acute manner Pine’s vivid collection addresses addiction\, fertility\, feminism\, sexual violence and depression. The formal experimentation of Gleeson’s Constellations is startling\, throughout this intimate account of pain is illuminating of art and the wider world. \n \n  \nSpeaker: Sinéad Gleeson\n\n\n \nSinéad Gleeson is a writer of essays\, criticism and fiction. Her writing has appeared in Granta\, Winter Papers and Gorse\, and a story of hers will appear in Being Various: New Irish Short Stories published by Faber in May 2018. She is the editor of three short story anthologies\, including The Long Gaze Back: an Anthology of Irish Women Writers and The Glass Shore: Short Stories by Women Writers from the North of Ireland\, both of which won Best Irish Published Book at the Irish Book Awards. Sinéad has worked as an arts critic and broadcaster and has presented The Book Show on RTÉ Radio 1. She is working on a novel. \n  \n  \n  \nSpeaker: Dr Emilie Pine\n\n\n \nEmilie Pine is Associate Professor of Modern Drama at University College Dublin. Emilie is Editor of the Irish University Review and Director of the Irish Memory Studies Network (www.irishmemorystudies.com). She is PI of the Irish Research Council New Horizons project Industrial Memories a digital humanities re-reading of the Ryan Report on institutional child abuse (https://industrialmemories.ucd.ie). Emilie has published widely in the field of Irish studies and memory studies\, including The Politics of Irish Memory: Performing Remembrance in Contemporary Irish Culture (Palgrave\, 2011) and The Memory Marketplace: Performance\, Testimony and Witnessing in Contemporary Theatre (forthcoming Indiana University Press\, 2019). Her first collection of personal essays\, Notes to Self\, was published by Tramp Press (2018). \n 
URL:https://irishliterarysociety.org/event/essaying_the_body/
LOCATION:The Bloomsbury Hotel\, The Bloomsbury Hotel\, 16-22 Great Russell Street\, London\, WC1B 3NN \, United Kingdom
CATEGORIES:biography,book signing,feminism,history,interview,lecture,medical,nature,Reading,research,social history,women
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DTSTART;TZID=UTC:20180521T193000
DTEND;TZID=UTC:20180521T203000
DTSTAMP:20260501T015004
CREATED:20171212T194151Z
LAST-MODIFIED:20180829T131846Z
UID:9914-1526931000-1526934600@irishliterarysociety.org
SUMMARY:Border Walk: Garrett Carr and Iain Sinclair - 21 May
DESCRIPTION:First this three-hundred-mile line demarcated counties\, then countries and will next be the frontier of the European Union. As the uncertain agreements and ‘statements of intent’ are confirmed and disavowed by the UK and EU representatives over the Irish border we look at the topography of this line on the map and consider the human geography of borderlands. Cartographer\, artist and writer Garrett Carr has in his book The Rule of the Land told the story of Ireland’s border and a created a portrait of its landscape and people. Carr will join in conversation with the writer and filmmaker Iain Sinclair whose work is rooted in London and lately within the influences of psychogeography.“Garrett Carr engages a mapmaker’s eye and a writer’s sensibility to create a great book” The Irish Times.\n\nWe pass here into another allegiance\,\nexpect new postage stamps\, new prices\, manifestoes\,\nand brace ourselves for the change. But the landscape does not alter;\nwe had already entered these mountains an hour ago.\nFrom The Frontier\, by John Hewitt 1962\n\nBoth writers have explored borderlands and those neglected blanks on the map that hide so much of our past\, the disconnect between mapped boundaries and shared experience. Sinclair’s fascinating and haunting book London Orbital recounts the year he spent walking around the M25 – the motorway that encircles London. Carr’s The Rule of the Land explores a fragile borderland\, with an uncertain future. By foot or canoe he followed the border closely. At night he camped out on the land. He visited architecture on the border\, forts and dykes as well as defensive buildings of the Troubles. His engagements those living on the frontier\, bring us the lived experience of the line on the map.\n‘Here in this brilliant\, crackling series of final walks through the London landscape\, he finds the dissolving identity of the city increasingly disconcerting.’ Review of The Last London in The Observer.\n\n\nSpeaker: Garrett Carr\n\nGarrett Carr was born in Donegal in 1975. He has previously published three Young Adult novels. A lecturer in Creative Writing at Queen’s University\, he lives in Belfast with his family. His research interests include writing about place\, history and memoir. He is also a map-maker and publishs academically on the topic of cartography. He holds an MA in Art History\, an MPhil in Geography and a PhD in Creative Writing. In his exhibition Mapping Alternative Ulster he brought together diverse mapmakers: local historians\, activists\, artists\, geographers and urban planners for a show of maps. See his website here: http://www.garrettcarr.net/\n\n\nSpeaker: Iain Sinclair\n\nIain Sinclair is the award-winning writer of numerous critically acclaimed books on London\, including Lights Out for the Territory\, London Orbital and London Overground. The son of a Welsh GP\, Sinclair studied in Dublin before moving to London with his wife. His early work was self-published\, and he worked as a teacher and labourer while researching occult aspects of the city’s past. He won the Encore Award and the James Tait Black Memorial Prize for his novel Downriver. Sinclair has been documenting the peculiar magic of the river-city that absorbs and obsesses him for most of his adult life. He lives in Hackney\, East London. In his most recent book\, The Last London (2017)\, he strikes out on a series of solitary walks and collaborative expeditions to make a final reckoning with a capital stretched beyond recognition. See his website here: http://www.iainsinclair.org.uk/\n\nSpread the word:
URL:https://irishliterarysociety.org/event/border-walk-garrett-carr-and-iain-sinclair-21-may/
LOCATION:Irish Cultural Centre\, Hammersmith\, 5 Black’s Road Hammersmith\, W6 9DT\, United Kingdom
CATEGORIES:book signing,cycling,history,interview,nature,Reading,social history,walking
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BEGIN:VEVENT
DTSTART;TZID=UTC:20150126T193000
DTEND;TZID=UTC:20150126T203000
DTSTAMP:20260501T015004
CREATED:20161006T183038Z
LAST-MODIFIED:20171123T234756Z
UID:8347-1422300600-1422304200@irishliterarysociety.org
SUMMARY:Joe Horgan - 26 Jan
DESCRIPTION:For the first ILS lecture of 2015 Joseph Horgan discusses his book\, The Song at Your Backdoor\, and recites poems from his prize-winning collections. In The Song at Your Backdoor he sets out to follow Patrick Kavanagh’s maxim that ‘all great civilisations are based on parochialism. To know fully even one field or one land is a lifetime’s experience.’ \nThe book spans one autumn and one winter\, framed by the departure of the swallows from the author’s backyard and concluding with their return. In between\, the author travels on foot or by bicycle along some quiet country lanes of 21st-century Ireland. Mingling his musings with references from seventh-century poetry to modern geological studies\, the author encourages us to look again at nature around us and to respect and protect it. \nAs a writer born and raised in England with Irish parents he finds that his exploration of nature and the fields around his Irish home become wrapped up in feelings of identity even as he is ostensibly discussing swallows or otters. \nSpeaker:\n\nJoe Horgan\nJoseph Horgan was born in Birmingham\, England\, in 1964 of Irish parents. His poetry collections are Slipping Letters Beneath the Sea (Tralee\, Doghouse\, 2008) and An Unscheduled Life (East Sussex\, UK\, [with the artist Brian Whelan] Agenda Editions\, 2012). His book The Song at your Backdoor (Cork\, Collins Press 2010)\, which was an RTE Book on One is a reflection on the relationship between poetry and landscape and meditative engagement with his local world in Cork. He was shortlisted for the Hennessy Prize in 2003 and won the Patrick Kavanagh Award for poetry in 2004. Horgan writes a weekly column for the Irish Post from his Cork home.
URL:https://irishliterarysociety.org/event/joe-horgan-26-jan/
LOCATION:The Bloomsbury Hotel\, The Bloomsbury Hotel\, 16-22 Great Russell Street\, London\, WC1B 3NN \, United Kingdom
CATEGORIES:book signing,folklore,nature,poetry,Reading
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